Gallery overview
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Léon De Smet A view of the Gulf of Tigullio with the city of Santa Margherita Ligure
Oil on hardboard - Sig. - 60 x 75 cm - Exhibition label on the reverse "Léon De Smet à Londres" -
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George Grard La Mer - De Zee (ca. 1951-1954)
Sculptuur - Brons - Zwarte patina - Sig. - Ex. I/III (in een editie van 5 + III EA) -
Met inschrift Gieterij Pakeshof Aalst - 45 x 185 x 100 cmLiterature "George Grard" door Eugénie De Keyser, 1983, p.
37, cf. 58-62 afb.
"George Grard. Monografie/Oeuvre-Catalogus"
Stichting George Grard, Uitg. Stichting Kunstboek
1995, cf. nr. 127 p. 107 kleurafb. -
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Master of the Prodigal Son The Adoration of the Shepherds
Oil on panel - 109 x 78 cmLiterature "L'Atelier du Maître du Fils Prodigue" Georges Marlier, Jaarboek KMSK Antwerpen 1961, p. 109 nr. 10 (mention of this work) Provenance Auction Van Herck, Antwerp 15 March 1954, auction nr. 77 cat. nr. 24 reprod. (mentioned as identified by Max Friedländer as a work of this Master) -
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Cornelis Beelt Beach at Scheveningen
Canvas - Sig. "K. beelt" - 84 x 113 cmProvenance auction Palais des Beaux-Arts 12-2-1953 nr. 520 -
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Léon Spilliaert Lady on a sofa (1907) - Verso: Ostend, the city and the quays in springtime (1922)
Brush drawing in India ink, watercolour and colour pencil - Sig. and sig. on the reverse 1922 - 61,2 x 64,5 cm - Exhibition labels on the reverseExhibition "Léon Spilliaert" Musée des Beaux-Arts, Mons 2001, cat. nr. 3
"Léon Spilliaert - Un esprit libre" KMSK, Brussels 2006-07, cat. nr. 49 reprod.
"Ontmoetingen met Spilliaert" Het Spilliaert Huis, Ostend 2016, cat. nr. 8 Literature "Léon Spilliaert - Onbekende werken" Imelda Art Gallery, Casino, Knokke-Heist 2000, cat. nr. 20, p. 40-53-136 reprod.
"Spilliaert. De bezielde blik" Anne Adriaens-Pannier, Ludion 2006, cat. nr. 372 reprod.
The work will be included in the catalogue raisonné in preparation by Dr. Anne Adriaens-Pannier -
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Frits Van den Berghe The apple tree (1910)
Oil on canvas - Sig. 1910 - 71,5 x 90,5 cmLiterature "Frits Van den Berghe" Piet Boyens, with catalogue raisonné by Patrick Derom & Gilles Marquenie, Pandora, Antwerp 1999, p. 108 reprod. and cat. nr. 73 reprod. Provenance coll. Dr. A. Martens, Astene -
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Théo Van Rysselberghe Nu au panama, de face (1924)
Oil on canvas - Monogram '24 (faded) - 91,5 x 65 cmLiterature "Théo Van Rysselberghe. Catalogue raisonné" Ronald Feltkamp, Brussels 2003, nr. 1924-007 reprod.
To be included in the catalogue raisonné in preparation by Mr. Olivier Bertrand Provenance Grand Palais, Paris 1955, nr. 68 -
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Paul Delvaux Les amies (ca. 1930)
Watercolour and India ink drawing on paper - 34,7 x 42,3 cm -
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Pablo Atchugarry Untitled (2015)
Sculpture - Bronze - Lacquered red - On a black marble base - Sig. - Ex. nr. 2/8 - 96 x 48 x 8,5 cmLiterature "Pablo Atchugarry" Luca Massimo Barbero, Shin Ed. exhib. cat., Brescia 2007, cf. p. 57 (reprod. of the version in marble)
"Atchugarry. Catalogo generale della scultura" Carlo Pirovano, Vol. II 2003-2013, Mondadori Electa, Milano 2013, cf. nr. 50 (reprod. of the version in marble)
"Pablo Atchugarry. Città eterna, eterni marmi" Marcello Francone e.a., Skira ed., exhib. cat., Milano 2015, cf. p. 127 (reprod. of a version in red lacquered bronze)
"Fundación Pablo Atchugarry: 10 años" Pablo Atchugarry e.a., Ed. Grafica Colombo, exhib. cat., Valmadrera 2017, cf. p. 493-496-497 (reprod. of versions in green , blue and black lacquered bronze) -
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Michelangelo Pistoletto La pomme (2014)
Screenprint in colors on aluminium - Sig. on the reverse - Ex. nr. 39/80 - 80 x 100 cmLiterature "Impliquons-nous. Dialogue pour le siècle. Edgar Morin & Michelangelo Pistoletto" sous la Direction de Philippe Cardinal & Harry Jancovici, Ed. Actes Sud, Arles/Paris 2015, cf. p. 18 colour reprod. -
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Karel Appel Untitled (ca. 1985)
Acrylic on paper on canvas - Sig. - 77,7 x 52 cmProvenance Christie's London, 18-10-1990, nr. 345 -
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Günther Förg Untitled (2001)
Watercolour on paper - Sig. 2001 - 75,5 x 111 cmProvenance private coll. Düsseldorf -
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Corneille L'Été précoce (2008)
Acrylic on canvas - Sig. and sig. on the reverse 29 octobre 2008 with title - 81 x 100 cm -
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Roel D'Haese Off-Hand (1988)
Sculpture - Bronze - Brown patina - Sig. (2x) 1988 with title - 83,5 x 28 x 24 cmExhibition "Roel D'Haese" Centre d'Action Culturelle, Saint-Brieuc 1989
Gal. Claude Bernard, Paris 1995 Literature "Roel D'Haese. Sculpturen-Sculptures" Catalogue Raisonné, Various authors, Lannoo, Tielt 2007, p. 147 (no reproduction) Provenance Gal. Claude Bernard, Paris -
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Richard Brakenburg Interior with farmers seated around the table - Farmers at the tavern
Lot of 2 oil paintings on panel - Pendants - Sig. "R Brakenburg" (1x) - 24 x 20 - 24,2 x 20,5 cm - Framed separately in 18th century sculpted frames -
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François Musin Boats on a rough sea
Canvas - Sig. - 68 x 127,5 cm -
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Léon De Smet Flowers in a green vase
Oil on canvas - Sig. - 92 x 70 cm -
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Georges Lemmen Still life (1907)
Oil on canvas - Monogram avril 1907 - 45 x 54 cmLiterature The authenticity was confirmed to us by Mr. Olivier Bertrand and the work will be included in the online catalogue -
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Felix De Boeck Abstract (1922)
Oil on board - Sig. 1922 - 60 x 72 cm -
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Rik Poot Ode aan een bergrivier (Ode to a mountain river) (ca. 1985)
Sculpture - Bronze - Brown-grey patina - Sig. - Ex. nr. 2/3 - 61,5 x 54 x 23,5 cmLiterature "Rik Poot" Frans Boenders, Herman Vandormael & Harold Van de Perre, Mercatorfonds, 2004, cf. p. 126-127 reprod. of the monumental version (H. 3,20 m) from 1985 currently at the subway station Herrmann-Debroux in Brussels -
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Antonio Calderara Attrazione quadrata bichroma in quadrati bichromi (1965)
Oil on panel - Monogrammed 1965 and sig. on the reverse 1965 with title - 27 x 27 cm -
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Lynn Chadwick Sitting couple (667) (1973)
Sculpture - Bronze - Black patina - Sig. '73 "667" - in an edition of 8 - 32,5 x 46,5 cmLiterature "Lynn Chadwick, Sculptor. With a complete Illustrated Catalogue 1947-1996" Dennis Farr & Eva Chadwick, Lypiatt Studio, Stroud (Gloc.), 1997, cf. nr. 667 p. 287 reprod. -
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Narcisse Tordoir Untitled (1986)
four-fold - 4 acrylics on panel - Sig. on the reverse '86 (each) - 40 x 40 cm (each) - UnframedProvenance coll. Piet Sanders -
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Walasse Ting Reclining nude
Pastel and oilstick on paper - 79 x 120 cmProvenance coll. Els Schram, Amsterdam/The Hague -
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Walasse Ting Three ladies
Acrylic on rice paper - Signature stamp - 177 x 95 cm -
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Alan Charlton Painting in five parts (1983)
Acrylic on canvas - in 5 parts - Sig. on the reverse "Alan Charlton 1983" (each) - 198 x 36 cm (5x) - 198 x ca. 196 cm (total)Provenance Gal. Willy D'Huyser, Brussels (purchased by the current owner) -
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George Minne L'homme à l'outre - The man with the water bag (1897)
Sculpture - Bronze - Dark brown patina - Sig. - 64 x 42,5 x 27,5 cmLiterature "George Minne" Leo van Puyvelde, Collection Les Contemporains, Bruxelles 1930, cf. nr. 23 Pl21
"George Minne en de kunst rond 1900" exhibition cat. MvSK, Ghent 1982, cf. nr. 59 p. 132-133
"George Minne: Das Frühwerk und seine Rezeption in Deutschland und Österreich bis zum Ersten Weltkrieg" Inga Rossi-Schrimpf, Verlag und Datenbank für Geisteswissenschaften, Weimar 2012, cf. cat., nr. P17 p. 370-371 (reprod. of another copy) -
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Gustave De Smet Landscape with farms (1942)
Oil on canvas - Sig. - 47,3 x 66 cm - Exhibition label on the reverseExhibition "Gustave De Smet. Retrospectieve tentoonstelling" Museum of Fine arts, Antwerp 1961, nr. 348 Literature "Gust. De Smet. Kroniek, Kunsthistorische analyse" Piet Boyens, Antwerp 1989, nr. 1256 reprod. Provenance coll. Dr. Jean Slosse, Brussels -
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Gustave Van de Woestyne Still Life with Pears and Apples (ca. 1939)
Oil on paper - Sig. - 50 x 58 cmProvenance coll. David & Alice van Buuren, Brussels, bought directly from the artist in the artist's studio -
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Roger Somville La Parade (1965)
Oil on canvas - Sig. and sig. on the reverse 1965 with title - 108 x 146 cmLiterature "Somville" Marcel Fryns, Éd. Dereume, Bruxelles 1973, no. 191, p. 148 colour reprod. -
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Victor Brauner Metamorphisme (1961)
Oil on canvas - Sig. 1961 and title on the reverse "Metamorphisme" - 97 x 130 cm - Exhibition labels on the reverseExhibition "Salon de Mai" The Mainichi Newspapers, Tokyo 1962
"Victor Brauner" Musée National d'Art Moderne, Paris 1972, cat. nr. 163
BP Belgium Provenance Gal. Rive Droite, Paris
coll. Mme Jean Krebs, Brussels
The eye of Victor Brauner
In the night of August 27, 1938, a Montparnasse bacchanal in the company of, among others, Oscar Dominguez will end in a skirmish, with Victor Brauner losing his left eye. This dramatic event is a revelation for the artist despite the mutilation. He is convinced being in the possession of extraordinary powers which enable him to reveal cosmic signs. An esoteric aura envelops Brauners surreal oeuvre.
Brauner's love for the occult and mystical is inherently entangled with his Romanian roots. Born in a small village, he participated during his childhood in his fathers spiritual séances. Folk art, symbols and archetypes from different civilizations, mainly from Egypt and Africa, inspire Brauner. His eclectic visual vocabulary transcends the traditional dichotomy between old and new, West and East, dream and reason, the abstract and the figurative.
"Metamorphism" (1961) reveals a shadowy company of hybrid creatures that float between human, animal and symbol. Figures are reduced to their most essential form, abstract with neutral hues. Two characters, one female and one male, try to reach each other. Their embrace, however, is obstructed by other presences: birds, a mask, a snake. Forms and colors flow into each other. Depicted in profile against an abstract, neutral background, without any illusion of perspective, they wink at Egyptian hieroglyphics. From a transcendent world, these mythical figures keep their eyes focused on reality.
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Pierre Alechinsky Les yeux fermés (1971)
Watercolour on Japon (laid down on canvas) - Sig. 1971 "VII" - 96,5 x 66 cm -
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Slawomir Elsner Panorama 78 (2006)
Oil on canvas - Sig. on the reverse 2006 with title - 170 x 170 cm - Unframed -
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Jean-Michel Folon Je me souviens (2003)
Sculpture - Bronze - Brown-red patina - Sig. - With stamp "Bronze Romain & Fils" - In an edition of 50 - 51 x 71 x 41 cmLiterature "Folon. Sculpturen" Ed. Snoeck, Ghent 2008, cf. p. 206-207 reprod. of a larger version -
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Michel Frère Composition (1989)
Oil on canvas - Monogram on the reverse 1989 - 190 x 164,5 cm - Unframed -
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Luc Peire Altea (1980)
Oil on canvas - Sig. on the reverse - 162 x 130 cm - Signed artist label on the reverse with iden. nr. 1519Exhibition "Luc Peire" Gal. de arte Lucas, Gandía 1980
"Luc Peire" Gal. Lucas, Valencia 1981, nr. 36 Literature "De ateliers van Luc Peire" Jenny Peire-Verbruggen & Marc Peire, Ludion, Ghent/Amsterdam, april 2001, p. 81
"Luc Peire. Catalogue Raisonné of the Oil Paintings" Marc Peire & Els Soetaert, in collaboration with Jaak Fontier, Stichting/Fondation Jenny & Luc Peire, Knokke-Heist and Lannoo, Tielt 2005, nr. 1282 reprod. -
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Thierry De Cordier Le promeneur de jardin (L'Escargot) (1990)
Pencil and charcoal on paper - Sig. "RTTY/1990" - 29,5 x 20,5 cm - Artist label on the reverseExhibition "Thierry De Cordier. Tekeningen (1983-1999)" SMAK, Ghent 1999, exhib. cat., p. 46 reprod. Literature "Thierry De Cordier. De wijnjaren/Fugues (1982-2002)" Ed. Ludion, Ghent 2002, p. 100 reprod. Provenance Acquired directly from the artist by the current owner
« Ah, quel immense bonheur que celui de faire
des tours en rond dans mon jardin ; je ny rencontre personne
et je passe dexcellents après-midi. »
(Th. De C.)
