Gallery overview
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Niki de Saint Phalle Les Baigneurs - The Bathers (1980-81)
Sculpture - Resin - Painted - Signature stamp "Niki" - Ex. nr. 17/150 - 46,3 x 47 cm -
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Pierre Alechinsky Les yeux fermés (1971)
Watercolour on Japon (laid down on canvas) - Sig. 1971 "VII" - 96,5 x 66 cm -
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Léon Spilliaert Lady on a sofa (1907) - Verso: Ostend, the city and the quays in springtime (1922)
Brush drawing in India ink, watercolour and colour pencil - Sig. and sig. on the reverse 1922 - 61,2 x 64,5 cm - Exhibition labels on the reverseExhibition "Léon Spilliaert" Musée des Beaux-Arts, Mons 2001, cat. nr. 3 "Léon Spilliaert - Un esprit libre" KMSK, Brussels 2006-07, cat. nr. 49 reprod. "Ontmoetingen met Spilliaert" Het Spilliaert Huis, Ostend 2016, cat. nr. 8 Literature "Léon Spilliaert - Onbekende werken" Imelda Art Gallery, Casino, Knokke-Heist 2000, cat. nr. 20, p. 40-53-136 reprod. "Spilliaert. De bezielde blik" Anne Adriaens-Pannier, Ludion 2006, cat. nr. 372 reprod. The work will be included in the catalogue raisonné in preparation by Dr. Anne Adriaens-Pannier -
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Frits Van den Berghe La toilette (1933)
Olieverf op doek - Sig. '33 - 75,5 x 66 cmExhibition Gent 1945, nr. 54 Londen 1961, nr. 17 "Frits Van den Berghe" MSK, Gent 1983, cat. nr. 141 afb. Museum Elsene 2012, p. 124 afb. Literature "Frits Van den Berghe" Piet Boyens, met oeuvrecatalogus door Patrick Derom & Gilles Marquenie, Pandora, Antwerpen 1999, cat. nr. 778 Provenance coll. Alex Salkin, New York Grosvenor Galleries, Londen -
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James Ensor Portret van Augusta Boogaerts zittend - Portrait d'Augusta Boogaerts assise (ca. 1930)
Olieverf op doek op hardboard - Sig. 'Ensor' - 44 x 34 cm - Verso etiket tentoonstellingExhibition "James Ensor" The Tel Aviv Museum of Art, Tel Avi 1981, nr. 40 "James Ensor - Dipinti, Disegni, Incisioni" Palazzo dei Conservatori, Rome 1981, nr. 20 "James Ensor" Kunsthaus, Zurich 1983, nr. 96 "James Ensor" KMSK, Antwerpen 1983, nr. 103 "James Ensor" Museum of Modern Art, Kobe 1983-84, nr. 67 "James Ensor - Belgien um 1900" Kunsthalle der Hypo-Kulturstiftung, Munchen 1989, nr. 42 "James Ensor" Musée du Petit Palais, Parijs 1990, nr. 220 "Ensor" KMSK, Brussel 1999-2000, nr. 181 Literature "James Ensor. Leven en werk. Oeuvrecatalogus van de schilderijen" Xavier Tricot, Mercatorfonds, Brussel 2009, cat. nr. 606 afb. Provenance coll. Augusta Boogaerts, Brussel coll. Dr. Denonne, Brussel -
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Théo Van Rysselberghe Tulips / Peonies (1910)
Lot of 2 oil paintings on canvas (tondo's) - Monogram (2x) & date 1910 (1x) - 66,7 cm diam. (each)Literature "Théo Van Rysselberghe. Catalogue raisonné" Ronald Feltkamp, Brussels 2003, nrs. 1910-026 & 1910-028 reprod. To be included in the catalogue raisonné in preparation by Mr. Olivier Bertrand Provenance coll. Nocard, Neuilly -
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Théo Van Rysselberghe Nu au panama, de face (1924)
Oil on canvas - Monogram '24 (faded) - 91,5 x 65 cmLiterature "Théo Van Rysselberghe. Catalogue raisonné" Ronald Feltkamp, Brussels 2003, nr. 1924-007 reprod. To be included in the catalogue raisonné in preparation by Mr. Olivier Bertrand Provenance Grand Palais, Paris 1955, nr. 68 -
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Henri Matisse Reclining nude (1905)
Watercolour and pencil on paper - Sig. - 20,5 x 27 cmProvenance Gal. Thannhauser, Munich coll. Justin K. Thannhauser, New York coll. M. Knoedler & Co, New York Christie's New York, 13-05-1987 nr. 110 -
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Léon De Smet A view of the Gulf of Tigullio with the city of Santa Margherita Ligure
Oil on hardboard - Sig. - 60 x 75 cm - Exhibition label on the reverse "Léon De Smet à Londres" -
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Master of the Prodigal Son The Adoration of the Shepherds
Oil on panel - 109 x 78 cmLiterature "L'Atelier du Maître du Fils Prodigue" Georges Marlier, Jaarboek KMSK Antwerpen 1961, p. 109 nr. 10 (mention of this work) Provenance Auction Van Herck, Antwerp 15 March 1954, auction nr. 77 cat. nr. 24 reprod. (mentioned as identified by Max Friedländer as a work of this Master) -
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Alan Charlton Painting in five parts (1983)
Acrylic on canvas - in 5 parts - Sig. on the reverse "Alan Charlton 1983" (each) - 198 x 36 cm (5x) - 198 x ca. 196 cm (total)Provenance Gal. Willy D'Huyser, Brussels (purchased by the current owner) -
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Fernando Botero Une femme acrobate (2007)
Pencil and pastel on paper - Sig. '07 - 40 x 29 cmProvenance Veranneman Foundation, Kruishoutem -
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Michelangelo Pistoletto La pomme (2014)
Screenprint in colors on aluminium - Verso sig. - Ex. nr. 60/80 - 80 x 100 cmLiterature "Impliquons-nous. Dialogue pour le siècle. Edgar Morin & Michelangelo Pistoletto" sous la Direction de Philippe Cardinal & Harry Jancovici, Ed. Actes Sud, Arles/Paris 2015, cf. p. 18 kleurafb. -
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Jean-Michel Folon Le Roi des chats (2005)
Sculpture - Bronze - Sig. - Ex. nr. 9/50 - Stamp "Bronze Romain & fils Cire Perdue" - 51 x 22 x 21 cm -
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Paul Delvaux The witness (1949)
Watercolour and pen drawing in India ink on paper - Sig. Choisel 8-1-49 - 38,5 x 62 cm -
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Antonio Calderara Attrazione quadrata bichroma in quadrati bichromi (1965)
Oil on panel - Monogrammed 1965 and sig. on the reverse 1965 with title - 27 x 27 cm -
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René Magritte Les enfants trouvés (1968)
Kunstalbum omvat 5 van de 12 kleurlitho's - Arches papier - Monogram met potlood door Fernand Mourlot (elk) - Sig. in druk (elk) - Ex. nr. 328/350 - 44,5 x 60 cm (blad) -
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Victor Brauner Metamorphisme (1961)
Oil on canvas - Sig. 1961 and title on the reverse "Metamorphisme" - 97 x 130 cm - Exhibition labels on the reverseExhibition "Salon de Mai" The Mainichi Newspapers, Tokyo 1962 "Victor Brauner" Musée National d'Art Moderne, Paris 1972, cat. nr. 163 BP Belgium Provenance Gal. Rive Droite, Paris coll. Mme Jean Krebs, Brussels The eye of Victor Brauner In the night of August 27, 1938, a Montparnasse bacchanal in the company of, among others, Oscar Dominguez will end in a skirmish, with Victor Brauner losing his left eye. This dramatic event is a revelation for the artist despite the mutilation. He is convinced being in the possession of extraordinary powers which enable him to reveal cosmic signs. An esoteric aura envelops Brauners surreal oeuvre. Brauner's love for the occult and mystical is inherently entangled with his Romanian roots. Born in a small village, he participated during his childhood in his fathers spiritual séances. Folk art, symbols and archetypes from different civilizations, mainly from Egypt and Africa, inspire Brauner. His eclectic visual vocabulary transcends the traditional dichotomy between old and new, West and East, dream and reason, the abstract and the figurative. "Metamorphism" (1961) reveals a shadowy company of hybrid creatures that float between human, animal and symbol. Figures are reduced to their most essential form, abstract with neutral hues. Two characters, one female and one male, try to reach each other. Their embrace, however, is obstructed by other presences: birds, a mask, a snake. Forms and colors flow into each other. Depicted in profile against an abstract, neutral background, without any illusion of perspective, they wink at Egyptian hieroglyphics. From a transcendent world, these mythical figures keep their eyes focused on reality. -
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Rik Wouters Woman at the window (ca. 1912)
Brush drawing in India ink and blue watercolour on - Van Gelder & zonen paper - 30,5 x 44 cm - Certificate on the reverse by Nel Wouters and stamp "Vierge folle" nr. 645Literature "Rik Wouters" Roger Avermaete, Publ. Arcade, Brussels 1962, p. 247 The authenticity was confirmed to us by Mr. Olivier Bertrand and the work will be included in the catalogue raisonné. -
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Frans Wouters (circle of) Mercury admiring Herse
Oil on copper - 64 x 86 cm -
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Otto Piene Mosquito (1979)
Feuergouache on cardboard - Sig. '79 with title - 100 x 64,5 cm -
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Arman (Armand Fernandez) Violon
Sculpture - Bronze, partially polished - Green and black patina - On a marble base - Sig. - Ex. nr. 60/100 - 70 x 20 x 20 cm -
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Louise Nevelson Series of an Unknown Cosmos XL (1979)
Sculpture - Wood, paper, metal on panel - Sig. with pencil - 91 x 61 cm - Labels on the reverseExhibition "Nevelson. Wood Sculptures and Collages" Wildenstein & Co., New York 1980 "Land of the Free. Home of the Brave" Crane Kalman Gal., London 2000 Provenance Pace Gal., New York Crane Kalman Gal., London private coll., Paris -
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Roy Lichtenstein Haystack #1 (1969)
Colour lithograph and screenprint - On Rives BFK - Sig. '69 in pencil - Ex. nr. 6/100 - 34 x 59,7 cm (print)Literature "The prints of Roy Lichtenstein. A catalogue raisonné 1948-1993" Mary Lee Corlett, Hudson Hills Press, New York 1994, cf. nr. 65 -
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Albéric Collin Le dernier fiacre (The last coach) (1906)
Sculpture - Bronze - Partially painted - Sig. 1906 - With stamp "Valsuani" - Ex. nr. 4/4 - 51 x 121 x 32,5 cmLiterature "Histoire de la sculpture belge" Jo Gérard, Brussels 1988, cf. reprod. "La sculpture en Belgique à partir de 1830" Mieke Marx & Cor Engelen, 2006, Tome I, cf. p. 588 reprod. -
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Jakob Smits A village in the Campine
Canvas - Sig. and monogram - 106 x 117 cm -
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Constantin Meunier L'enfant prodigue ou le fils prodigue (The prodigal son) (1895)
Sculpture - Bronze - Dark brown patina - On a green marble base - Sig. - With inscription "Atelier/59 rue l'abbaye" - 44 x 41 x 20,5 cmExhibition "Exposition de l'oeuvre de Constantin Meunier" KUL, Leuven 1909, cf. nr. 14 "Constantin Meunier" Chicago 1913-14, cf. nr. 11 "Ausstellung Alter und Neuer Belgischer Kunst" Kunstmuseum und Kunsthalle, Bern 1926, cf. nr. 158 "Exposition Constantin Meunier" Gal. Breckpot, Brussels 1927, cf. nr. 3 Literature "Hommage à Constantin Meunier" Sura Levine & Françoise Urban, Gal. Maurice Tzwern, Brussels 1998 Ed. Pandora 1998, cf. cat. nr. 19 reprod. "Constantin Meunier. Sa vie, son oeuvre" Micheline Jerome-Schotsmans, Olivier Bertrand Éditions, 2012, cf. nr. 112 reprod. -
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Eugène Verboeckhoven Sheep and poultry in a landscape (1874)
Oil on canvas - Sig. 1874 - 60 x 75 cm - Certificate on the reverse by the artist -
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Panamarenko Plan Zep. (1998)
Sculpture - Wood, cane, metal, plastic - Partially painted - In plexi box - Sig. 0020 - 73 x 142 x 73 cmLiterature "Panamarenko. A Book by Hans Theys" Published by Frank Van Haecke & Isy Brachot 1992, cf. p. 149 reprod. of the original plan from 1970 Provenance Purchased directly at Mulier Mulier Gal., Knokke by the previous owner -
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Luc Peire Graphie XXXIV (1964)
Oil on panel - Sig. on the reverse and nr. 1002 - 27,5 x 47,3 cmExhibition "Luc Peire" Gal. Lorenzelli, Bergamo 1970, nr. 43 Provenance Gal. Melesi, Lecco Gal. Lorenzelli, Bergamo -
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Roger Raveel Een heel klein karretje om de hemel te veroveren - Cart to conquer the sky with (1977)
Colour serigraph on cardboard on wood and mixed media - Sig. H.C. - 42 x 44 x 32 cmLiterature "Roger Raveel. Het grafische oeuvre" Octave Scheire, Ed. Ludion, Ghent 2005, cf. cat. nr. M2, p. 209 reprod. -
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Koen van den Broek ◇Blade (2014)
Oil on canvas - Sig. on the reverse "Blade / 2014" - 210 x 140 cm - UnframedProvenance Friedman Benda Gal., New York
